Today's G&L is a 1984 El Toro. This model had been on my list for a couple of years. When one popped up last fall at a reasonable price, I jumped right on it. My '88 ASAT wasn't getting much playing time since the '86s arrived, so it went to a new home right up the street and the El Toro took its place.



This particular bass has a transparent blue finish over swamp ash, with a very nice rosewood board and a touch of figuring in the neck. It came to me very dirty, with old round wound strings and in need of a setup. I have to admit it wasn't love at first sight. I cleaned it up a bit and got the string height and intonation to a better place and suddenly it seemed very sweet, even with the old strings. The biggest surprise, though, was when I took a couple of pictures. There is quite a bit of flame in the body, which doesn't really show up under indoor lighting but pops with a camera flash from the right angle. Here's a back shot that hints at the grain patterns:

The El Toro is a very versatile bass. I'd put the basic tone somewhere between an L-2000 or ASAT Bass's booming low end and the midrange punch of an early SB-1 or SB-2. I recently changed the old round wounds to a set of LaBella Deep Talkin' Quarter Rounds, which I really do not like so far. Even so, this bass could easily cover just about any sound I would need in a gigging situation. It could probably handle the low end a little bit better with a good set of flats, so there is going to be a string change in the near future.
G&L topic: What G&L instrument would best handle your basic needs in a cover band situation, where a variety of sounds will be needed? Could you make it happen with one instrument, or would you need to bring in some backup?
Non-G&L topic: Let's talk about covers. Really bad covers. Worse is better. I stumbled across this "modern spiritual" from Lawrence Welk a while back:
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What is the most misconceived, inappropriate or just plain wrong cover song you've ever encountered? My apologies in advance to everybody who spends the rest of the day humming "One Toke Over the Line", and to your co-workers and loved ones who end up humming it too.
Ken